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            <titleStmt><title>EPITAPH FOR IUNIA SATURNINA, ROME (?)</title>
            <editor>Alison E. Cooley</editor></titleStmt>
            <publicationStmt>
                <authority>AEC/ASHL</authority>
                <idno type="filename">ANChandler.3.54.xml</idno>
            </publicationStmt>
            <sourceDesc>
                <msDesc>
                    <msIdentifier>
                        <settlement>Oxford</settlement>
                        <repository>Ashmolean Museum</repository>
                        <idno>ANChandler.3.54</idno>
                        <altIdentifier>
                            <idno>AshLI 53</idno>
                        </altIdentifier>
                    </msIdentifier>
                    <physDesc>
                        <objectDesc>
                            <supportDesc>
                                <support>
                                    <p>A highly ornate <objectType ref="http://www.eagle-network.eu/voc/objtyp/lod/250.html">stele</objectType> of 
                                        <material ref="http://www.eagle-network.eu/voc/material/lod/358.html">white marble with grey veins</material> 
                                        (<dimensions><height unit="metre"> 0.43</height> <width unit="metre">0.31</width> <depth unit="metre">0.04</depth></dimensions>). 
                                        In the centre at the top is a <rs type="decoration">four-petalled flower in deep relief inside a wreath of foliage and fruit (either laurel or olive),
                                        surrounded by stylized acanthus leaves.
                                        At the base of the wreath, in shallower relief, two decorated ribbons cross, with their tasselled ends lying horizontally.</rs>
                                        The inscription is framed by a <rs type="decoration">decorative border of deeply incised vegetal patterns, formed of two splayed and one central petal.</rs> 
                                        An additional <rs type="decoration">plain border </rs>survives, bounding the right and left edges of the stone. The rear is unfinished. 
                                        The stele has been damaged at both top and bottom, but what remains is well preserved. Small holes can be seen on the top and bottom edges of the stone
                                        (the latter with traces of metal oxidisation), for displaying the stele in modern times. </p>
                                </support></supportDesc>
                            <layoutDesc><layout>
                                <p>The text is <rs type="execution" key="scalpro">inscribed</rs> within an <rs type="decoration">ornate frame carved with a continuous leaf motif</rs>. 
                                    Some thought has been given to the layout of the inscription, with centring of first and last lines, 
                                    but it seems that the stonecutter failed to leave adequate space in lines 2 and 4. The V in HELENVS is smaller in size and, together with the final S, is squeezed
                                    in at the line end, whilst the mother’s <foreign xml:lang="Latn">cognomen</foreign> has had to be abbreviated in Line 4. In their editions, 
                                    <ref target="prideaux1676">Prideaux (1676)</ref> and <ref target="#maittaire1732">Maittaire (1732)</ref> expanded the abbreviated name in line 4, 
                                    where the stonecutter has lacked enough space to carve SATVRNINAE in full. Triangular interpuncts occur throughout except at line ends.</p>
                            </layout></layoutDesc>
                        </objectDesc>
                        <handDesc>
                            <handNote><height unit="metre">0.03</height> (line 1); <height unit="metre">0.021</height> (line 2); <height unit="metre">0.027</height>(line 3); 
                                <height unit="metre">0.03</height> (line 4); <height unit="metre">0.028</height> (line 5); <height>0.026</height> (line 6). </handNote>
                        </handDesc>
                    </physDesc>
                    <history>
                        <origin>
                            <origPlace>It is of unknown provenance, but probably originates from <placeName ref="http://pleiades.stoa.org/places/423025">Rome</placeName>.</origPlace>
                            <origDate notBefore="0100" notAfter="0200" precision="medium">possibly second century AD (use of DM formula, tria nomina)
                                (<ref target="#solin2003">Solin 2003</ref>: vol.1, p.515).</origDate>
                        </origin>
                        <provenance type="observed" when="1667">It was first recorded in Oxford by Prideaux as part of the Arundel Collection, which was given to the University of Oxford
                            by Henry Howard, Earl of Arundel, in 1667 (<ref target="#prideaux1676">Prideaux 1676</ref>). </provenance>
                        <provenance type="observed" notBefore="1668" notAfter="1669">The Arundel marbles were first displayed in the ‘Garden of Antiquities’ outside the new Sheldonian 
                            Theatre from 1668/9 (<ref target="#sturdy1999">Sturdy and Moorcraft 1999</ref>).</provenance>
                        <provenance type="observed" notBefore="1715" notAfter="1749"> The inscriptions were subsequently transferred indoors in 1715 to ‘The Marble School’, an upper 
                            gallery in the Bodleian Quadrangle. In 1749, they were transferred downstairs to the ground floor in the former School of Moral Philosophy, 
                            and at some point then ended up in the basement of the (Old) Ashmolean Museum on Broad Street (now the Museum of the History of Science) 
                            (<ref target="#munby2013">Munby 2013</ref>). 
                            The Ashmolean Museum in its current location was built behind the University Galleries, was opened in 1894, and finally the University Galleries and Ashmolean 
                            were amalgamated by statute in 1908. </provenance>
                        <provenance type="autopsy" when="2014">The epitaph is currently in a storeroom.</provenance>
                    </history>
                </msDesc>
            </sourceDesc>
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    <facsimile>
        <surface><graphic url="//latininscriptions.ashmus.ox.ac.uk/images/high/ANChandler_3_54_FRONT_-_AN_Chandler_3_54.jpg"><desc>Photograph: front face</desc></graphic></surface>
        <surface><graphic url="//latininscriptions.ashmus.ox.ac.uk/images/high/AN_Chandler_3_54.jpg"><desc>Photograph</desc></graphic></surface>
        <surface><graphic url="//latininscriptions.ashmus.ox.ac.uk/images/high/ANChandler_3_54_LEFT_SIDE_VIEW_-_AN_Chandler_3_54-d_SMALL.jpg"><desc>Photograph: left side</desc></graphic></surface>
        <surface><graphic url="//latininscriptions.ashmus.ox.ac.uk/images/high/ANChandler_3_54_RIGHT_SIDE_VIEW_-_AN_Chandler_3_54-c_SMALL.jpg"><desc>Photograph: right side</desc></graphic></surface>
        <surface><graphic url="//latininscriptions.ashmus.ox.ac.uk/images/high/NChandler_3_54_BACK_VIEW_-_AN_Chandler_3_54_-_b.tif"><desc>Photograph: back view</desc></graphic></surface>
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    <text>
        <body>
           
            <div type="edition" xml:space="preserve" xml:lang="Latn">
                <ab>
                    <lb n="1"/><expan><abbr>d</abbr><ex>is</ex></expan> <g type="interpunct"/> <expan><abbr>m</abbr><ex>anibus</ex></expan>
                    <lb n="2"/><persName nymRef="#Helenus2"><name type="praenomen"><expan><abbr>L</abbr><ex>ucius</ex></expan></name> <g type="interpunct"/>
                        <name type="gentilicium">Pontius</name> <g type="interpunct"/> <name type="cognomen">Helenus</name></persName>
                    <lb n="3"/><w lemma="mater">matri</w> <g type="interpunct"/> suae
                    <lb n="4"/><persName nymRef="#Saturnina3"><name type="gentilicium">Iuniae</name> <g type="interpunct"/> 
                        <name type="cognomen"><expan><abbr>Saturnin</abbr><ex>ae</ex></expan></name></persName>
                    <lb n="5"/> bene <g type="interpunct"/> merenti 
                    <lb n="6"/> fecit
                  
                </ab>
            </div>
            <div type="translation" xml:lang="en">
                <p>To the spirits of the dead. Lucius Pontius Helenus set this up  for his well deserving mother, Iunia Saturnina.</p>
            </div>
            <div type="apparatus">
                <listApp>
                    <app loc="4"><note> SATVRNINAE (Prideaux, Maittaire).</note>
                   </app>
                </listApp>
            </div> 
            
            <div type="commentary">
                <p>The social status of neither L. Pontius Helenus nor Iunia Saturnina is specified in this inscription, 
                    but represents a fairly conventional commemoration of mother by son.</p>
            </div>
            <div type="bibliography" subtype="Editions">
                <p><ref target="#prideaux1767">Prideaux (1676)</ref> p.77, no.5; <ref target="#maittaire1732">Maittaire (1732)</ref> p.35, no.55; 
                    <ref target="#chandler1763">Chandler (1763)</ref> p.135, no.54; CIL VI.4.1 no.24721 [Hübner] (1894).</p>
                <p>Online: EDCS-13800969 [accessed 17/07/14]</p>
                </div>
            <div type="bibliography" subtype="Scholarship">
                <listBibl> 
                    <bibl xml:id="chandler1763">
                        <author><surname>Chandler</surname> <forename>R.</forename></author>
                        <date>1763</date> <title level="m">Marmora Oxoniensia</title>
                        <pubPlace>Oxford</pubPlace> <publisher>Clarendon Press</publisher> 
                    </bibl>
                    <bibl xml:id="maittaire1732">
                        <author><surname>Maittaire</surname> <forename>M.</forename></author>
                        <date>1732, 2nd edn.</date> <title level="m">Marmorum, Arundellianorum, Seldenianorum, Aliorumque Academiae Oxoniensi Donatorum</title>
                        <pubPlace>London</pubPlace> <publisher>William Bowyer</publisher>
                    </bibl>
                    <bibl xml:id="munby2013">
                        <author><surname>Munby</surname> <forename>J.</forename></author>
                        <date>2013</date> <title level="a">A rare collection: Oxford museums past and present</title>
                        <title level="m">Excalibur: Essays on Antiquity and the History of Collecting in Honour of Arthur MacGregor</title>
                        <editor><forename>H.</forename> <surname>Wiegel</surname></editor> and <editor><forename>M.</forename> <surname>Vickers</surname></editor>
                        <pubPlace>Oxford</pubPlace> <publisher>BAR Int. ser. 2512</publisher>
                        <biblScope unit="page">75-85</biblScope>
                    </bibl>
                    <bibl xml:id="solin2003">
                        <author><surname>Solin</surname> <forename>H.</forename></author>
                        <date>2003</date> <title level="m">Die griechischen Personennamen in Rom. Ein Namenbuch (2nd edn) 3 vols</title>
                        <pubPlace>Berlin</pubPlace> <publisher>De Gruyter</publisher>
                    </bibl>
                    <bibl xml:id="sturdy1999">
                        <author><surname>Sturdy</surname> <forename>D.</forename></author> and <author><forename>N.</forename> <surname>Moorcraft</surname></author>
                        <date>1999</date> <title level="a">Christopher Wren and Oxford’s garden of antiquities</title>
                        <title level="j">Minvera</title>
                        <biblScope unit="vol">10.1</biblScope>
                        <biblScope unit="page">25-28</biblScope>
                    </bibl>
                </listBibl>
            </div>
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