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        <fileDesc>
            <titleStmt><title>EPITAPH OF FREEDMAN PUBLIUS CURTIUS CISSUS, ROME</title>
            <editor>Alison E. Cooley</editor></titleStmt>
            <publicationStmt>
                <authority>AEC/ASHL</authority>
                <idno type="filename">ANChandler.3.129.xml</idno>
            </publicationStmt>
            <sourceDesc>
                <msDesc>
                    <msIdentifier>
                        <settlement>Oxford</settlement>
                        <repository>Ashmolean Museum</repository>
                        <idno>ANChandler.3.129</idno>
                        <altIdentifier>
                            <idno>AshLI 128</idno>
                        </altIdentifier>
                    </msIdentifier>
                    <physDesc>
                        <objectDesc>
                            <supportDesc>
                                <support>
                                    <p>An attractive rectangular <objectType ref="http://www.eagle-network.eu/voc/objtyp/lod/257.html">slab</objectType> of 
                                        <material ref="http://www.eagle-network.eu/voc/material/lod/49.html">white marble</material> made up of two contiguous fragments imitating a
                                        <rs type="decoration"><foreign xml:lang="Latn">tabula ansata</foreign></rs> (in a modern mount) 
                                        (<dimensions><height unit="metre">0.082</height> <width unit="metre">0.243</width> <depth unit="metre">0.022</depth></dimensions>). 
                                        It is decorated on the front surface at the top and bottom edges around the 
                                        inscription with two patterns. At the top is a <rs type="decoration">line of 22 triangles symmetrically arranged according 
                                            to a pattern of loops at their tops</rs>; at the bottom is a <rs type="decoration">wavy line, which has small dashes in between it, 
                                        alternating above and below</rs>. These decorative motifs are also found on <ref target="C3.108.xml">C3-108</ref>. 
                                        There is some surface abrasion on the front. 
                                        The rear is not visible because of the modern mount.</p>
                                </support></supportDesc>
                            <layoutDesc><layout>
                                <p>The text is <rs type="execution" key="scalpro">inscribed</rs> on the front face, within the decorative border, on a single line.
                                    There are simple interpuncts throughout, except at the end of the line. 
                                    A double set of guiding lines for the stonecutter are visible, relating to both taller and shorter letters.</p>
                            </layout></layoutDesc>
                        </objectDesc>
                        <handDesc>
                            <handNote><height unit="metre">0.06</height> with a tall P and T: <height unit="metre">0.022</height>. </handNote>
                        </handDesc>
                    </physDesc>
                    <history>
                        <origin>
                            <origPlace>It is of unknown provenance, but probably originates from <placeName ref="http://pleiades.stoa.org/places/423025">Rome</placeName>.</origPlace>
                            <origDate notBefore="0001" notAfter="0100">possibly first century AD (from <foreign xml:lang="Latn">columbarium</foreign> context). </origDate>
                        </origin>
                        <provenance type="observed" when="1749">It is first recorded in Oxford according to CIL, but is in fact listed in the sale catalogue
                            (Langford 1749) for the collection belonging to Christopher Wren, Esq., of Hampton Court (son of Sir Christopher Wren) 
                            sold at auction in London as lot 54 on 6th April 1749, after his death. Lot 54 comprised a Greek inscription and seven Latin inscriptions 
                            (also <ref target="ANChandler.3.108.xml">C3-108</ref>; <ref target="ANChandler.3.109.xml">C3-109</ref>; <ref target="ANChandler.3.120.xml">C3-120</ref>; 
                            <ref target="ANChandler.3.122.xml">C3-122</ref>; <ref target="ANChandler.3.123.xml">C3-123</ref>; <ref target="ANChandler.3.133.xml">C3-133</ref>). 
                            This lot was bought by Richard Rawlinson: he is listed in the sale catalogue as one of the buyers at the auction, 
                            and also himself writes later that year of having bought Latin inscriptions from Mr Wren’s sale 
                            (<ref target="#enright1956">Enright 1956</ref>: p.306 - Rawlinson Bod. MS. C 989 f.123, 16 Nov 1749, letter to Bodleian’s librarian). 
                            All of these Latin inscriptions are in the Ashmolean as part of the Rawlinson Collection, 
                            which was given to Oxford University in 1753, and at first kept in the University Collection in the Bodleian Library 
                            (<ref target="#enright1956">Enright 1956</ref>: p.340). 
                            At some point it then ended up in the basement of the (Old) Ashmolean Museum on Broad Street (now the Museum of the History of Science) 
                            (<ref target="#munby2013">Munby 2013</ref>), since it is included in the archive MS. <ref target="#ashmoleanMS">‘Marbles sent from Ashmolean Museum’</ref> (p.35, no.180), 
                            a list of ancient marbles transferred in Jan. 1888 from the (Old) Ashmolean Museum basement room to the marble rooms of 
                            the Randolph Building on Beaumont Street, which had been built alongside the University Galleries. 
                            The Ashmolean Museum in its current location was built behind the University Galleries, was opened in 1894, 
                            and finally the University Galleries and Ashmolean were amalgamated by statute in 1908. </provenance>
                        <provenance type="autopsy" when="2015">It is currently in a storeroom.</provenance>
                    </history>
                </msDesc>
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    </teiHeader>
    <facsimile>
        <surface><graphic url="//latininscriptions.ashmus.ox.ac.uk/images/high/AN_Chandler_3_129.jpg"><desc>photograph</desc></graphic></surface>
    </facsimile>
    <text>
        <body>
           
            <div type="edition" xml:space="preserve" xml:lang="Latn">
                <ab>
                    <lb n="1"/> <persName nymRef="#Cissus"><name type="praenomen"><expan><abbr>P</abbr><ex>ublius</ex></expan></name> 
                        <g type="interpunct"/> <name type="gentilicium">Curtius</name> <g type="interpunct"/> 
                        <persName nymRef="PublicusCurt"><name type="praenomen"><expan><abbr>P</abbr><ex>ubli</ex></expan></name></persName>
                        <g type="interpunct"/> <w lemma="libertus"><expan><abbr>l</abbr><ex>ibertus</ex></expan></w> <g type="interpunct"/> 
                        <name type="cognomen">Cissus</name></persName>
                </ab>
            </div>
            <div type="translation" xml:lang="en">
                <p>Publius Curtius Cissus, freedman of Publius.</p>
            </div>
            <div type="apparatus"/> 
            
            <div type="commentary">
                <p>The plaque’s format suggests that this epitaph originated in a <foreign xml:lang="Latn">columbarium</foreign>, which in turn would suggest a 
                    date between the last quarter of the first century BC and the Hadrianic period (<ref target="#bodel2008">Bodel 2008</ref>).</p>
            </div>
            <div type="bibliography" subtype="Editions">
                <p><ref target="#chandler1763">Chandler (1763)</ref> Part 3, Pl.IV.cxxix, with drawing; CIL VI.3 no.16639 [Hübner] (1886)</p>
                <p>Online: EDCS-12001540 [accessed 20/10/15] </p>
            </div>
            <div type="bibliography" subtype="Scholarship">
                <listBibl>
                    <bibl xml:id="ashmoleanMS">
                        <author>Ashmolean Museum Department of Antiquities</author>
                        <title level="u">Marbles sent from Ashmolean Museum</title>
                    </bibl>
                    <bibl xml:id="bodel2008">
                        <author><surname>Bodel</surname> <forename>J.</forename></author>
                        <date>2008</date> <title level="a">From columbaria to catacombs: communities of the dead in pagan and Christian Rome</title>
                        <title level="m">Commemorating the Dead: Texts and Artifacts in Context</title>
                        <editor><forename>L.</forename> <surname>Brink</surname></editor> <editor><forename>O.P.</forename> <surname>Green</surname></editor> <editor><forename>D.</forename> <surname>Green</surname></editor>
                        <pubPlace>Berlin/New York</pubPlace> <publisher>De Gruyter</publisher>
                        <biblScope unit="page">177-242</biblScope>
                    </bibl> 
                    <bibl xml:id="chandler1763">
                        <author><surname>Chandler</surname> <forename>R.</forename></author>
                        <date>1763</date> <title level="m">Marmora Oxoniensia</title>
                        <pubPlace>Oxford</pubPlace> <publisher>Clarendon Press</publisher> 
                    </bibl>
                    <bibl xml:id="enright1956">
                        <author><surname>Enright</surname> <forename>B.J.</forename></author>
                        <date>1956</date> <title level="m">Richard Rawlinson: collector, antiquary, and topographer (Bod. MS. D.Phil. d.1786)</title>
                    </bibl>
                    <bibl xml:id="langford1749">
                        <author><surname>Langford</surname> <forename>A.</forename></author>
                        <date>1749</date> <title level="a">A catalogue of the genuine and entire collection of medals and statues of Christopher Wren Esq, late of
                            Hampton Court, deceased; together with the collection of drawings of architecture of the late Sir Christopher Wren, his father (London 1749)</title>
                        <idno type="DOI">http://artworld.york.ac.uk</idno> 
                        <editor><forename>R.</forename> <surname>Stephens</surname></editor>
                        <title level="m">The art world in Britain 1660 to 1735</title>
                    </bibl>
                    <bibl xml:id="munby2013">
                        <author><surname>Munby</surname> <forename>J.</forename></author>
                        <date>2013</date> <title level="a">A rare collection: Oxford museums past and present</title>
                        <title level="m">Excalibur: Essays on Antiquity and the History of Collecting in Honour of Arthur MacGregor</title>
                        <editor><forename>H.</forename><surname>Wiegel</surname></editor> and <editor><forename>M.</forename><surname>Vickers</surname></editor>
                        <pubPlace>Oxford</pubPlace> <publisher>BAR Int. ser. 2512</publisher>
                        <biblScope unit="page">75-85</biblScope>
                    </bibl>
                </listBibl>
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