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            <titleStmt><title>A FREEDWOMAN’S EPITAPH, ROME</title>
            <editor>Alison E. Cooley</editor></titleStmt>
            <publicationStmt>
                <authority>AEC/ASHL</authority>
                <idno type="filename">ANChandler.3.125.xml</idno>
            </publicationStmt>
            <sourceDesc>
                <msDesc>
                    <msIdentifier>
                        <settlement>Oxford</settlement>
                        <repository>Ashmolean Museum</repository>
                        <idno>ANChandler.3.125</idno>
                        <altIdentifier>
                            <idno>AshlI 124</idno>
                        </altIdentifier>
                    </msIdentifier>
                    <physDesc>
                        <objectDesc>
                            <supportDesc>
                                <support>
                                    <p>The drawing in <ref target="#chandler1763">Chandler (1763)</ref> shows the inscription on the front of a rectangular 
                                        <objectType ref="http://www.eagle-network.eu/voc/objtyp/lod/257.html">plaque</objectType> imitating a <foreign xml:lang="Latn">tabula ansata</foreign>, 
                                        probably from a <foreign xml:lang="Latn">columbarium</foreign>.</p>
                                </support></supportDesc>
                            <layoutDesc><layout>
                                <p>The <rs type="execution" key="scalpro">inscription</rs> is on the front face, across three lines, the middle one of which is centred.</p>
                            </layout></layoutDesc>
                        </objectDesc>
                        <handDesc>
                            <handNote>no dimensions available.</handNote>
                        </handDesc>
                    </physDesc>
                    <history>
                        <origin>
                            <origPlace>Of unknown provenance, it probably originated from <placeName ref="http://pleiades.stoa.org/places/423025">Rome</placeName>.</origPlace>
                            <origDate notBefore="0001" notAfter="0100">possibly first century AD (from possible <foreign xml:lang="Latn">columbarium</foreign> context and onomastics: <ref target="#solin2003">Solin 2003</ref>: vol. 2, p.1142)</origDate>
                        </origin>
                        <provenance type="observed" when="1708">It was published as part of the collection of antiquities belonging to Christopher Wren <ref target="#wren1708">(1708)</ref>
                            (son of Sir Christopher Wren). 
                            It is subsequently listed in the sale catalogue (<ref target="#langford1749">Langford 1749</ref>) for the collection belonging to Christopher Wren, Esq., 
                            of Hampton Court sold at auction in London as lot 50 on 5th April 1749, after his death. Lot 50 comprised seven marble inscriptions
                            in frames (but only six listed in the catalogue: also <ref target="ANChandler.3.107.xml">C3-107</ref>; <ref target="ANChandler.3.114/xml">C3-114</ref>; 
                            <ref target="ANChandler.3.115.xml">C3-115</ref>; <ref target="ANChandler.3.119.xml">C3-119</ref>; <ref target="ANChandler.3.124.xml">C3-124</ref>). 
                            This lot was bought by Richard Rawlinson:
                            he is listed in the sale catalogue as one of the buyers at the auction, and also himself writes later that year of having bought
                            Latin inscriptions from Mr Wren’s sale (<ref target="#enright1956">Enright 1956</ref>: p.306 - Rawlinson Bod. MS. C 989 f.123, 16 Nov 1749,
                            letter to Bodleian’s librarian). All of these Latin inscriptions are in the Ashmolean as part of the Rawlinson Collection,
                            which was given to Oxford University in 1753, and at first kept in the University Collection in the Bodleian Library 
                            (<ref target="#enright1956">Enright 1956</ref>: p.340). At some point it then ended up in the basement of the (Old) Ashmolean Museum on Broad Street
                            (now the Museum of the History of Science) (<ref target="#munby2013">Munby 2013</ref>), since it is included in the archive MS. 
                            <ref target="#ashmoleanMS">‘Marbles sent from Ashmolean Museum’</ref> (p.35, no.176), a list of ancient marbles transferred in Jan. 1888 from the 
                            (Old) Ashmolean Museum basement room to the marble rooms of the Randolph Building on Beaumont Street, which had been built alongside the University Galleries. 
                            The Ashmolean Museum in its current location was built behind the University Galleries, was opened in 1894,
                            and finally the University Galleries and Ashmolean were amalgamated by statute in 1908. </provenance>
                        <provenance type="autopsy" when="2015">The inscription is currently missing.</provenance>
                    </history>
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        <body>
           
            <div type="edition" xml:space="preserve" xml:lang="Latn">
                <ab>
                    <lb n="1"/> <persName nymRef="#Moschis"><name type="gentilicium">Scantia</name>
                    <lb n="2"/> <persName nymRef="#Lucius"><name type="praenomen"><expan><abbr>L</abbr><ex>uci</ex></expan></name></persName> 
                        <w lemma="liberta"><expan><abbr>l</abbr><ex>iberta</ex></expan></w>
                    <lb n="3"/> <name type="cognomen">Moschis</name></persName>
                </ab>
            </div>
            <div type="translation" xml:lang="en">
                <p>Scantia Moschis, freedwoman of Lucius.</p>
            </div>
            <div type="apparatus"/> 
            
            <div type="commentary">
                <p>A simple epitaph for a freedwoman, probably from a <foreign xml:lang="Latn">columbarium</foreign>.</p>
            </div>
            <div type="bibliography" subtype="Editions">
                <p><ref target="#wren1708">Wren (1708)</ref> Tab. 6 no. 6; <ref target="#chandler1763">Chandler (1763)</ref> Part 3, Pl.IV.cxxv, with drawing; 
                    CIL VI.4 fasc.1 no.25996 [Hübner] (1894)</p>
                <p>Online: EDCS-13802255 [accessed 24/11/15] </p>
            </div>
            <div type="bibliography" subtype="Scholarship">
                <listBibl>
                    <bibl xml:id="ashmoleanMS">
                        <author>Ashmolean Museum Department of Antiquities</author>
                        <title level="u">Marbles sent from Ashmolean Museum</title>
                    </bibl>
                    <bibl xml:id="chandler1763">
                        <author><surname>Chandler</surname> <forename>R.</forename></author>
                        <date>1763</date> <title level="m">Marmora Oxoniensia</title>
                        <pubPlace>Oxford</pubPlace> <publisher>Clarendon Press</publisher> 
                    </bibl>
                    <bibl xml:id="enright1956">
                        <author><surname>Enright</surname> <forename>B.J.</forename></author>
                        <date>1956</date> <title level="m">Richard Rawlinson: collector, antiquary, and topographer (Bod. MS. D.Phil. d.1786)</title>
                    </bibl>
                    <bibl xml:id="langford1749">
                        <author><surname>Langford</surname> <forename>A.</forename></author>
                        <date>1749</date> <title level="a">A catalogue of the genuine and entire collection of medals and statues of Christopher Wren Esq, late of 
                            Hampton Court, deceased; together with the collection of drawings of architecture of the late Sir Christopher Wren, his father (London 1749)</title>
                        <idno type="DOI">http://artworld.york.ac.uk</idno> 
                        <editor><forename>R.</forename> <surname>Stephens</surname></editor>
                        <title level="m">The art world in Britain 1660 to 1735</title>
                    </bibl>
                    <bibl xml:id="munby2013">
                        <author><surname>Munby</surname> <forename>J.</forename></author>
                        <date>2013</date> <title level="a">A rare collection: Oxford museums past and present</title>
                        <title level="m">Excalibur: Essays on Antiquity and the History of Collecting in Honour of Arthur MacGregor</title>
                        <editor><forename>H.</forename><surname>Wiegel</surname></editor> and <editor><forename>M.</forename><surname>Vickers</surname></editor>
                        <pubPlace>Oxford</pubPlace> <publisher>BAR Int. ser. 2512</publisher>
                        <biblScope unit="page">75-85</biblScope>
                    </bibl>
                    <bibl xml:id="solin2003">
                        <author><surname>Solin</surname> <forename>H.</forename></author>
                        <date>2003</date> <title level="m">Die griechischen Personennamen in Rom. Ein Namenbuch (2nd edn) 3 vols </title>
                        <pubPlace>Berlin</pubPlace> <publisher>De Gruyter</publisher>
                    </bibl>
                    <bibl xml:id="wren1708">
                        <author><surname>Wren</surname><forename>C.</forename></author>
                        <date>1708</date> <title level="m">Numismatum Antiquorum Sylloge Populis Graecis, Municipiis &amp; Coloniis Romanis Cusorum, ex Cimeliarchio Editoris</title>
                        <publisher>David Mortier</publisher> <pubPlace>London</pubPlace>
                    </bibl>
                </listBibl>
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