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        <fileDesc>
            <titleStmt><title>A HUSBAND’S EPITAPH, ROME</title>
            <editor>Alison E. Cooley</editor></titleStmt>
            <publicationStmt>
                <authority>AEC/ASHL</authority>
                <idno type="filename">ANChandler.3.118.xml</idno>
            </publicationStmt>
            <sourceDesc>
                <msDesc>
                    <msIdentifier>
                        <settlement>Oxford</settlement>
                        <repository>Ashmolean Museum</repository>
                        <idno>ANChandler.3.118</idno>
                        <altIdentifier>
                            <idno>AshLI 117</idno>
                        </altIdentifier>
                    </msIdentifier>
                    <physDesc>
                        <objectDesc>
                            <supportDesc>
                                <support>
                                    <p>A plain rectangular <material ref="http://www.eagle-network.eu/voc/material/lod/48.html">marble</material>
                                        <objectType ref="http://www.eagle-network.eu/voc/objtyp/lod/257.html">plaque</objectType> 
                                        (<dimensions><height unit="metre">0.296</height> <width unit="metre">0.253</width> <depth unit="metre">0.035</depth></dimensions>). 
                                        The rear is smoothly finished, whilst the sides remain rough. It is in a good condition, in a modern mount.</p>
                                </support></supportDesc>
                            <layoutDesc><layout>
                                <p>The text is <rs type="execution" key="scalpro">inscribed</rs> on the front surface. The overall quality of the stonecutting is rather poor. 
                                    The first line is squashed in at the top of the stone, and overall the lettering is unevenly cut, with variations in height. 
                                    There are several errors in the spelling (line 2, COIVCI for CONIVGI).</p>
                            </layout></layoutDesc>
                        </objectDesc>
                        <handDesc>
                            <handNote><height unit="metre">0.019</height> (line 1); <height unit="metre">0.022</height> (line 2); <height unit="metre">0.026</height> (line 3);
                                <height unit="metre">0.024</height> (line 4); <height unit="metre">0.021</height> (lines 5-7), with taller B <height unit="metre">0.026</height> in line 7; 
                                <height unit="metre">0.032-0.026</height> (line 8)</handNote>
                        </handDesc>
                    </physDesc>
                    <history>
                        <origin>
                            <origPlace>Of unknown provenance, it probably originated from <placeName ref="http://pleiades.stoa.org/places/423025">Rome</placeName>. </origPlace>
                            <origDate notBefore="0100" notAfter="0300">possibly second or third century AD (DM formula and onomastics: <ref target="#solin2003">Solin 2003</ref>, vol. 1: p.555).</origDate>
                        </origin>
                        <provenance type="observed" when="1749">It is first recorded in Oxford according to CIL, but is in fact listed in the sale catalogue
                            (<ref target="#langford1749">Langford 1749</ref>) for the collection belonging to Christopher Wren, Esq., of Hampton Court (son of Sir Christopher Wren) 
                            sold at auction in London as lot 64 on 6th April 1749, after his death. Lot 64 comprised seven marble inscriptions
                            (also <ref target="ANChandler.3.110.xml">C3-110</ref>; <ref target="ANChandler.3.113.xml">C3-113</ref>; 
                            <ref target="ANChandler.3.117.xml">C3-117</ref>; <ref target="ANChandler.3.128.xml">C3-128</ref>; <ref target="ANChandler.3.132.xml">C3-132</ref>; 
                            <ref target="ANChandler.3.134">C3-134</ref>). 
                            This lot was bought by Richard Rawlinson: he is listed in the sale catalogue as one of the buyers at the auction, and also himself writes 
                            later that year of having bought Latin inscriptions from Mr Wren’s sale (<ref target="#enright1956">Enright 1956</ref>: p.306 - 
                            Rawlinson Bod. MS. C 989 f.123, 16 Nov 1749, letter to Bodleian’s librarian). 
                            All of these Latin inscriptions are in the Ashmolean as part of the Rawlinson Collection, 
                            which was given to Oxford University in 1753, and at first kept in the University Collection in the Bodleian Library (<ref target="#enright1956">Enright 1956</ref>: p.340). 
                            It is included in a list of antique marbles transferred from the Ashmolean Museum basement room to the marble rooms of 
                            the Randolph Building in January 1888 (Archive MS. <ref target="#ashmoleanMS">‘Marbles sent from Ashmolean Museum’ </ref>p.34, no.170).</provenance>
                        <provenance type="autopsy" when="2015">It is currently in a storeroom.</provenance>
                    </history>
                </msDesc>
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    <facsimile>
        <surface><graphic url="//latininscriptions.ashmus.ox.ac.uk/images/high/AN_Chandler_3_118.jpg"><desc>photograph</desc></graphic></surface>
    </facsimile>
    <text>
        <body>
           
            <div type="edition" xml:space="preserve" xml:lang="Latn">
                <ab>
                    <lb n="1"/> <expan><abbr>d</abbr><ex>is</ex></expan> <expan><abbr>m</abbr><ex>anibus</ex></expan>
                    <lb n="2"/> <persName nymRef="#Feroca">Feroca</persName> <g type="interpunct"/>
                        <w lemma="coniunx"><expan><abbr>co</abbr><ex>n</ex></expan>iu<choice><sic>c</sic><corr>g</corr></choice>i</w>
                    <lb n="3"/> <persName nymRef="#Paris">Paridi</persName> c<choice><sic>on</sic><corr>um</corr></choice> <choice><sic>o</sic><corr>q</corr></choice>
                    <lb n="4" break="no"/>uo <choice><sic>b</sic><corr>v</corr></choice>ixit <date type="marriage" dur="P21Y"><expan><abbr>an</abbr><ex>n</ex><abbr>os</abbr></expan> 
                    <lb n="5"/> <num value="21">XXI</num></date> decessit <surplus>a</surplus>
                    <lb n="6"/> <date type="age" dur="P46Y4M">annos <num value="46">XXXXVI</num>
                    <lb n="7"/> VLIIX
                    <lb n="8"/> <expan><abbr>me</abbr><ex>n</ex></expan>sibus <g type="interpunct"/> <num value="4">IIII</num></date>
                    <lb n="9"/> <w lemma="coniunx"><expan><abbr>c</abbr><ex>oniugi</ex></expan></w> <expan><abbr>b</abbr><ex>ene</ex></expan>
                    <expan><abbr>m</abbr><ex>erenti</ex></expan> <g type="interpunct"/> <expan><abbr>f</abbr><ex>aciendum</ex></expan> <expan><abbr>c</abbr><ex>uravit</ex></expan>
                </ab>
            </div>
            <div type="translation" xml:lang="en">
                <p>To the spirits of the dead. Feroca saw to this being set up for her well-deserving husband Paris, 
                    with whom she lived for 21 years. He died aged 46, 4 months, 8 days.</p>
            </div>
            <div type="apparatus">
                <listApp>
                    <app loc="2"><note>COIVCI (lapis)</note></app>
                    <app loc="3"><note>CONO (lapis)</note></app>
                    <app loc="4"><note>BIXIT (lapis)</note></app>
                    <app loc="5"><note>The final A seems to be in error, anticipating ANNOS on the next line.</note></app>
                    <app loc="7-8"><note>the letters VLIIX are squeezed in between the other lines; one possible interpretation 
                        is that V is a correction for the months (should be VIIII rather than IIII), and that L IIX should be amended to d(iebus) IIX, 
                        with the L representing an unfinished letter D, but given the poor quality of stonecutting and literacy evident in the rest of this inscription, 
                        this is far from certain. Alternatively, VIIIX may be an error for VIXIT. </note></app>
                </listApp>
            </div> 
            
            <div type="commentary">
                <p>This is a poor quality epitaph, but this should not necessarily be taken to indicate a late date rather than a 
                    limited budget on the part of the commemorator. Nevertheless, the word <foreign xml:lang="Latn">decessit</foreign> is more usually accompanied by a date, 
                    to recall the date of death, and is typical of Christian epitaphs. There may be confusion here between using <foreign xml:lang="Latn">decessit</foreign> 
                    to indicate date of death and vixit to indicate the number of years lived.</p>
            </div>
            <div type="bibliography" subtype="Editions">
                <p><ref target="#chandler1763">Chandler (1763)</ref> Part 3, Pl.III.cxviii, with drawing; CIL VI.3 no.17890 [Hübner] (1886)</p>
                <p>Online: EDCS-00600888 [accessed 29/10/15]</p>    
            </div>
            <div type="bibliography" subtype="Scholarship">
                <listBibl>
                    <bibl xml:id="ashmoleanMS">
                        <author>Ashmolean Museum Department of Antiquities</author>
                        <title level="u">Marbles sent from Ashmolean Museum</title>
                    </bibl>
                    <bibl xml:id="chandler1763">
                        <author><surname>Chandler</surname> <forename>R.</forename></author>
                        <date>1763</date> <title level="m">Marmora Oxoniensia</title>
                        <pubPlace>Oxford</pubPlace> <publisher>Clarendon Press</publisher> 
                    </bibl>
                    <bibl xml:id="enright1956">
                        <author><surname>Enright</surname> <forename>B.J.</forename></author>
                        <date>1956</date> <title level="m">Richard Rawlinson: collector, antiquary, and topographer (Bod. MS. D.Phil. d.1786)</title>
                    </bibl>
                    <bibl xml:id="langford1749">
                        <author><surname>Langford</surname> <forename>A.</forename></author>
                        <date>1749</date> <title level="a">A catalogue of the genuine and entire collection of medals and statues of Christopher Wren Esq, late of Hampton 
                            Court, deceased; together with the collection of drawings of architecture of the late Sir Christopher Wren, his father (London 1749)</title>
                        <idno type="DOI">http://artworld.york.ac.uk</idno> 
                        <editor><forename>R.</forename> <surname>Stephens</surname></editor>
                        <title level="m">The art world in Britain 1660 to 1735</title>
                    </bibl>
                    <bibl xml:id="solin2003">
                        <author><surname>Solin</surname> <forename>H.</forename></author>
                        <date>2003</date> <title level="m">Die griechischen Personennamen in Rom. Ein Namenbuch (2nd edn) 3 vols </title>
                        <pubPlace>Berlin</pubPlace> <publisher>De Gruyter</publisher>
                    </bibl>
                </listBibl>
            </div>
        </body>
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